Ridjobradi Jah-Man

Najcitati iz stranih filmova i serija

92 posts in this topic

U ,,Borbenom klubu’’ vidim najjače i najpametnije ljude koji su ikada živeli. Vidim sav taj potencijal. I vidim protraćeno. Do đavola, čitava generacija pumpa benzin. Kelneriše. Robovi sa belim okovratnicima. Reklame su nas naterale da jurimo za kolima i odećom. Poslovi koje mrzimo da bi kupili sranje koje nam ne treba. Mi smo poslednja deca istorije. Bez svrhe i mesta. Nemamo veliki rat. Nemamo veliku depresiju. Naš velika rat je duhovni rat. Naša velika depresija su naši životi. Svi smo uz pomoć televizije odgajani da verujemo da ćemo jednog dana biti milioneri i filmske ili rok zvezde. Ali nećemo. Sporo učimo tu činjenicu. I vrlo, vrlo smo nadrkani zbog toga.

( Tajler Durden / Bred Pit / u Fight Club )

Ovo mi je legendarno.. :icon_wink:

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Ovo mi je legendarno..

Да, да, много јака ствар! :icon_wink:

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srpski

Izaberite život. Izaberite posao.Karijeru. Izaberite porodicu. Izaberite jebeno veliki tv. Izaberite veš mašinu, kola, kompakt disk plejere i električne otvarače za konzerve. Izaberite dobro zdravlje. Nizak holesterol i zdravstveno osiguranje. Fiksne kamate na otplatu hipoteke. Izaberite prvu kuću. Izaberite prijatelje. Izaberite odeću i prtljag u istom dezenu. Izaberite odela na otplatu u tri rate. Alat za kućne popravke i da nedeljom ujutro nemate pojma ko ste. Izaberite da sedite na kauču i da gledate glupe kvizove dok trpate jebenu hranu u usta. Izaberite trulež na kraju svega, dok pišate po sebi u staračkom domu i samo ste neprijatnost za derišta koja ste izrodili.

Izaberite svoju budućnost.

Izaberite život.

Ali zašto bih ja uradio tako nešto?

english

Choose life. Choose a job. Choose a career. Choose a family. Chose a fucking big television. Chose washing machines, cars, compact disc players and electrical tin openers ... choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirt crushing game shows, stuffing junk food into yout mouth. Choose rotting away at the end of it all, pishing your last in the miserable home, nothing more than a embarrasment to the selfish, fucked up brats you spawned to replace yourself. Choose your future. Choose life ...

But why do I want to do a thing like that?

( Mark Renton / Endru Mekgregor / Trainspotting )

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Jerry Maguire

Jerry Maguire: Yeah, yeah, what can I do for YOU, Rod?

Rod Tidwell: It's a very personal, very important thing. Hell, it's a family motto. Now are you ready? Just checking to make sure you're ready (Rod turns his boom box real low) here it is - show me the money. (He now blasts the boom box at full level) OHHH! SHOW! ME! THE! MONEY! Doesn't it make you feel good just to say that, Jerry? Say it with me one time brother!

Jerry Maguire: ...Show you the money.

Rod Tidwell: Oh, come on, you can do better than that! I want you to say it brother with meaning! Hey, I got Bob Sugar on the other line I better hear you say it!

Jerry Maguire: Yeah, ye - no, show you the money!

Rod Tidwell: AH! Not show YOU! Show ME the money!

Jerry Maguire: Show me the money!

Rod Tidwell: Yeah, that's it brother but you got to yell that shit!

Jerry Maguire: Show me the money!

Rod Tidwell: Louder!

Jerry Maguire: Show me the money!

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MELVIN

You going to come talk to me or

not?

SIMON

I'm coming.

We enters the room carrying Verdell who strains to be

allowed closer to Melvin. Simon releases him.

SIMON

What did she say?

MELVIN

I'm a great guy --

"extraordinary"...

(before Simon can

celebrate)

... and she doesn't want contact

with me.

(a beat)

I'm dying here.

SIMON

Because...

(gently)

... you love her?

MELVIN

(sharply)

No... and you're supposed to be

sensitive and sharp.

SIMON

Okay... you tell me why --

(mimics him)

"You're dying here."

MELVIN

I don't know... Let me sleep on it

and figure it out.

(then)

Because I'm stuck! Can't go back

to what I had... She's evicted me

from my life.

SIMON

Did you like it that much?

MELVIN

(furiously)

It was better than this... Look,

you, I'm very intelligent. If

you're going to give me advice or

conversation or consolation or

hope, you got to be better than

you're doing. If you can't be at

least momentarily interesting than

shut the hell up. I'm drowning

and you're describing water.

SIMON

(getting pissed)

Picking on me won't help.

MELVIN

Well, if that's true then I'm

really in trouble.

SIMON

But you know where you're lucky?

MELVIN

Absolutely not.

SIMON

You know who you want. I'll take

your seat any day. So do

something... don't sleep on it...

go over there. I don't think

anybody should ever sleep on

anything -- it's not always good

to let things calm down.

MELVIN

Hey... I'm charged here. But she

might kill me for showing up this

late.

SIMON

Then get in your jammies and I'll

read you a story... I think you've

got a chance. The only real enemy

you have is her ability to think

logically -- the best thing you

have going for you is your

willingness to humiliate yourself

if it gives you one chance in

whatever -- so go catch her off-

guard.

MELVIN

Okay. Thanks a lot. Here I go.

He moves for the door... stops suddenly, jolted.

SIMON

What's wrong?

MELVIN

I forgot to lock the door.

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Emperor Joseph II: My dear young man, don't take it too hard. Your work is ingenious. It's quality work. And there are simply too many notes, that's all. Just cut a few and it will be perfect.

Mozart: Which few did you have in mind, Majesty?

-----

Mozart: Forgive me, Majesty. I am a vulgar man! But I assure you, my music is not.

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trener: ostani dole lion, ostani dole!

ne daj da te ubije ili da te osakati, da docekas starost na ulici kao ja. imamo ugovor fifti-fifti.

zan klod: znam da se sintija kladila protiv mene.

trener: gledaj, sve je na atilu, svi su se kladili na atilu

zan klod: (slaze facu) POGRIJESILI SU! (wrong bat)

NEOPRAVDANO ODSUTAN /jean claude da ako ti dam van damme

p.s.: ovaj sam film gledao najmanje 20 puta

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Ted: I don't know Dom. I don't feel good. I feel nervous. I really feel nervous

Dom: Oh come on relax. You been to the cash machine?

Ted: Yeah

Dom: Car clean?

Ted: Uh huh

Dom: Plenty of gas?

Ted: Uh huh

Dom: Um breath how's your breath?

Ted: It's fine I had some altoids.

Dom: Alright I think you're all set. So just go clean the pipes and lets go.

Ted: Huh?

Dom: You know clean the pipes.

Ted: What do you mean clean the pipes?

Dom: You choke the chicken before any big date don't you? Tell me you spank the monkey before any big date. Oh my God he doesn't flog the dolphin before a big date. Are you crazy? That's like going out there with a loaded gun! Of course that's why you're nervous.

Dom: Look, after you've had sex with a girl and you're lying in bed with her, are you nervous?

Ted: No

Dom: No no you're not. Why?

Ted: Because I'm tired.

Dom: Wrong! It's cause you ain't got the baby batter in the brain anymore. That stuff will fuck your head up! Look, the most honest moment in a mans life are the few minutes after he's blown his load. Now that is a medical fact. And the reason for it is that you're no longer trying to get laid you're actually thinking like a girl and girls love that.

Ted: Holly shit! I've been going out with a loaded gun.

Dom: People get hurt that way.

[Pretending to like retarded kids.]

Pat Healy: Those goofy bastards are about the best thing I've got going.

[after telling Mary that he's an architect]

Pat Healy: Really, it's only a side thing for my true passion.

Mary: And what's that?

Pat Healy: I work with retards.

Mary: Isn't that a little politically incorrect?

Pat Healy: Yeah, maybe, but hell, no one's gonna tell me who I can and can't work with.

Ted: I'm telling you, I did not solicit sex! I was just stopping to go the bathroom, next thing I know I tripped over something - well someone - and, POOF, there's cops and lights and ...

Detective Stabler: Okay, calm down, Ted, we believe you. The problem is we found your friend in the car

[referring to the dead body found in Ted's car, unbeknown to Ted was left by the hitchhiker]

Ted: [Ted has no idea the hitchhiker left a bag with dead body in his car. He thinks the police is going to charge him with picking hitchhiker, as the hitchhiker told him it was a felony] Oh. The hitchhiker. That's what this is all about. Isn't that just my luck - I get caught for everything.

Detective Krevoy: So you admit it?

Ted: Guilty as charged. I'm not gonna play games with you. I could give you a song and dance but what's the point? I did it and we all know it. The hitcher himself told me it's illegal The irony.

Detective Krevoy: Well, uh, can you tell us his name?

Ted: Jeez, I didn't catch it

Detective Stabler: So he was a stranger? It was totally random?

Ted: He was the first hitcher I saw, what can I tell you? Now cut to the chase, how much trouble am I in?

Detective Stabler: First tell us why you did it.

Ted: Why I did it? I don't know. Boredom? I thought I was doing the guy a favor.

Detective Krevoy: This wasn't your first time, was it, Ted? How many we talking?

Ted: Hitchhikers? I don't know - fifty... a hundred maybe - Who keeps track? Hey, I know this is the Bible Belt, but where I come from this is not that big a deal.

Detective Krevoy: You son of a bitch! You're gonna fry!

"There is something about Mary"

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Dwayne: I wish I could just sleep until I was eighteen and skip all this crap- high school and everything- just skip it.

Frank: You know Marcel Proust?

Dwayne: He's the guy you teach.

Frank: Yeah. French writer. Total loser. Never had a real job. Unrequited love affairs. Gay. Spent 20 years writing a book almost no one reads. But he's also probably the greatest writer since Shakespeare. Anyway, he uh- he gets down to the end of his life... and he looks back and decides that all those years he suffered- Those were the best years of his life, 'cause they made him who he was. All those years he was happy? You know, total waste. Didn't learn a thing. So, if you sleep until you're 18... Ah, think of the suffering you're gonna miss. I mean high school? High school- Those are your prime suffering years. You don't get better suffering than that.

Little Miss Sunshine, nadam se da ce dobiti Oskara... :sunny13:

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You know my feelings: every day is a gift. - Tony Soprano (a middle age fuck)

A lot of top guys have dark moods. That Winston Churchill drank a quart of brandy before breakfast.

Napoleon, he was a moody fuck, too. - Silvio Dante

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Hannibal Lecter: You know what you look like to me, with your good bag and your cheap shoes? You look like a rube. A well scrubbed, hustling rube with a little taste. Good nutrition has given you some length of bone, but you're not more than one generation from poor white trash, are you, Agent Starling? And that accent you've tried so desperately to shed? Pure West Virginia. What's your father, dear? Is he a coal miner? Does he stink of the lamp? You know how quickly the boys found you... all those tedious sticky fumblings in the back seats of cars... while you could only dream of getting out... getting anywhere... getting all the way to the FBI.

Clarice Starling: You see a lot don't you doctor. Why don't you turn that high-powered perception at yourself and tell us what you see, or, maybe you're afraid to.

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"Chasing Amy"

What’d I tell you - she just needs the

right guy. All every woman really

wants - be it mother, senator, nun -

is some serious deep-dicking.

BANKY

Hold on.

(starts rifling through one

bag)

HOLDEN

What are you doing?

BANKY

I just have to get something.

(pulls out a huge stack of

porno books)

HOLDEN

Who are you, Larry fucking Flynt?

What are you going to do with all of

those?

BANKY

Read the articles. What do you think

I’m going to do with them? They’re

stroke books.

HOLDEN

You’ve got like thirty books there!

We’re only there for two days!

BANKY

(leafing through mags)

Variety’s the spice of life. I like a

wide selection. Sometimes I’m in the

mood for nasty close-ups, sometimes I

like them arty and air-brushed. Some

times it’s a spread brown-eye kind of

night, sometimes it’s girl-on-girl

time. Sometimes a steamy letter will

do it, sometimes - not often, but

sometimes - I like the idea of a chick

with a horse.

KID

What are those?

BANKY

(looks at kid then books)

Do you Like horsies?

Banky points to pictures in the book. The kid looks

on.

BANKY

...And then Black Beauty couldn’t take

it any longer, and he finally did some

of his own mounting.

KID

(off book)

Wow.

Holden grabs Banky’s arm and drags him away.

HOLDEN

What are you doing?

BANKY

(waving to kid)

I think I want kids of my own one day.

They’re fun.

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Prepricau jedan kratki dijalog iz Sopranosa, sinoc sam gledo tu epizodu po drugi-treci put :icon_rolleyes:

Ja kad nesto volim onda bas volim.

Sjedi Toni kod svog psihoterapeuta, koja je btw zena, za one koji nisu nikad gledali, a Toni je sef mafije u Nju Dzersiju.

Toni: Znas sta, postalo mi je dosadno da ovde vise dolazim, ne vidim da ima ikakve koristi.

Doktorica: Ja ne mislim da nema koristi.

Toni: Gledam juce dobar film, Bred Pit i Andjelina Zoli, bas je dobar i onda u sred filma pomislim,

kog qurca mene interesuje ko je ubica? Sta to znaci u mom zivotu?

Cijeli zivot je samo niz nekih glupih sitnica sve do smrti. Onda samo ugasim TV.

Doktorica, smireno ko pravi profesionalac, ali prije razgovora sa njim drmne duplu votku :icon_wink: :

To govori depresija iz tebe. I sta si onda umjesto toga uradio ?

Toni: Izaso sam napolje, uzeo lupu i suncem palio mrave.

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The Departed

Da pojasnim, policajcu, tj detektivu koji se zeni, govori njegov sef...

Ellerby: [on Sullivan getting married] Marriage is an important part of getting ahead. It lets people know you're not a homo. A married guy seems more stable. People see the ring, they think, "At least somebody can stand the son of a bitch." :smile2:

Ladies see the ring, they know immediately that you must have some cash, and your cock must work.

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Pun mi je vise k... tvog ludila Paunovicu. Mislis sitno pa ko ga j... E nije sitno za tebe ce da bude strava, horor! Za ovo se glava gubi. Vracaj slova krv ti j....!

Karaula

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Sleep with Me (1994)

Sid: You want subversion on a massive level. You know what one of the greatest fucking scripts ever written in the history of Hollywood is? Top Gun.

Duane: Oh, come on.

Sid: Top Gun is fucking great. What is Top Gun? You think it's a story about a bunch of fighter pilots.

Duane: It's about a bunch of guys waving their dicks around.

Sid: It is a story about a man's struggle with his own homosexuality. It is! That is what Top Gun is about, man. You've got Maverick, all right? He's on the edge, man. He's right on the fucking line, all right? And you've got Iceman, and all his crew. They're gay, they represent the gay man, all right? And they're saying, go, go the gay way, go the gay way. He could go both ways.

Duane: What about Kelly McGillis?

Sid: Kelly McGillis, she's heterosexuality. She's saying: no, no, no, no, no, no, go the normal way, play by the rules, go the normal way. They're saying no, go the gay way, be the gay way, go for the gay way, all right? That is what's going on throughout that whole movie... He goes to her house, all right? It looks like they're going to have sex, you know, they're just kind of sitting back, he's takin' a shower and everything. They don't have sex. He gets on the motorcycle, drives away. She's like, "What the fuck, what the fuck is going on here?" Next scene, next scene you see her, she's in the elevator, she is dressed like a guy. She's got the cap on, she's got the aviator glasses, she's wearing the same jacket that the Iceman wears. She is, okay, this is how I gotta get this guy, this guy's going towards the gay way, I gotta bring him back, I gotta bring him back from the gay way, so I'll do that through subterfuge, I'm gonna dress like a man. All right? That is how she approaches it. Okay, now let me just ask you - I'm gonna digress for two seconds here. I met this girl Amy here, she's like floating around here and everything. Now, she just got divorced, right? All right, but the REAL ending of the movie is when they fight the MIGs at the end, all right? Because he has passed over into the gay way. They are this gay fighting fucking force, all right? And they're beating the Russians, the gays are beating the Russians. And it's over, and they fucking land, and Iceman's been trying to get Maverick the entire time, and finally, he's got him, all right? And what is the last fucking line that they have together? They're all hugging and kissing and happy with each other, and Ice comes up to Maverick, and he says, "Man, you can ride my tail, anytime!" And what does Maverick say? "You can ride mine!" Swordfight! Swordfight! Fuckin' A, man!

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Генијално. САда нађи и теорију о пјесми Like a Virgin из Reservoir Dogs.

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Paulie 'Walnuts' Gualtieri: Hey, Sil. You remember your first blowjob?

Silvio Dante: Oh, yeah.

Paulie 'Walnuts' Gualtieri: How long did it take for the guy to come?

[Tony disapproves of Meadow's new boyfriend because he is black]

Carmela Soprano: If you want her to be with him, just keep playing the race card. You're gonna drive her right into his arms.

Anthony 'Tony' Soprano Sr.: Not if I cut off those arms.

[Chris and Paulie just botched a hit on a Russian gangster, and are lost in the woods. They call Tony, and get a bad reception]

Anthony 'Tony' Soprano Sr.: Listen to me, this guy was a Russian green beret. He was in the ministry of the interior or something. He single-handedly killed 16 Chechen rebels. Be fucking careful.

Paulie 'Walnuts' Gualtieri: All right.

[hangs up]

Christopher Moltisanti: What did he say?

Paulie 'Walnuts' Gualtieri: He said the guy killed 16 Czechoslovakians, and he was an interior decorator.

Christopher Moltisanti: Interior decorator? His appartment looked like shit.

Наравно Сопраноси :smile2:

Генијално. САда нађи и теорију о пјесми Like a Virgin из Reservoir Dogs.

Ништа лакше...

[first lines]

Mr. Brown: Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.

Mr. White: No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...

Mr. Brown: Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.

Joe: Toby... Who the fuck is Toby? Toby...

Mr. Brown: 'Like a Virgin' is not about this nice girl who meets a nice fella. That's what "True Blue" is about, now, granted, no argument about that.

Mr. Orange: Which one is 'True Blue'?

Nice Guy Eddie: 'True Blue' was a big ass hit for Madonna. I don't even follow this Tops In Pops shit, and I've at least heard of "True Blue".

Mr. Orange: Look, asshole, I didn't say I ain't heard of it. All I asked was how does it go? Excuse me for not being the world's biggest Madonna fan.

Mr. Pink: Personally, I can do without her.

Mr. Blue: I like her early stuff. You know, 'Lucky Star', 'Borderline' - but once she got into her 'Papa Don't Preach' phase, I don't know, I tuned out.

Mr. Brown: Hey, you guys are making me lose my... train of thought here. I was saying something, what was it?

Joe: Oh, Toby was this Chinese girl, what was her last name?

Mr. White: What's that?

Joe: I found this old address book in a jacket I ain't worn in a coon's age. What was that name?

Mr. Brown: What the fuck was I talking about?

Mr. Pink: You said 'True Blue' was about a nice girl, a sensitive girl who meets a nice guy, and that 'Like a Virgin' was a metaphor for big dicks.

Mr. Brown: Lemme tell you what 'Like a Virgin' is about. It's all about this cooze who's a regular fuck machine, I'm talking morning, day, night, afternoon, dick, dick, dick, dick, dick, dick, dick, dick, dick.

Mr. Blue: How many dicks is that?

Mr. White: A lot.

Mr. Brown: Then one day she meets this John Holmes motherfucker and it's like, whoa baby, I mean this cat is like Charles Bronson in the 'Great Escape', he's digging tunnels. Now, she's gettin' the serious dick action and she's feeling something she ain't felt since forever. Pain. Pain.

Joe: Chew? Toby Chew?

Mr. Brown: It hurts her. It shouldn't hurt her, you know, her pussy should be Bubble Yum by now, but when this cat fucks her it hurts. It hurts just like it did the first time. You see the pain is reminding a fuck machine what it once was like to be a virgin. Hence, 'Like a Virgin'.

Joe: Wong?

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Paulie 'Walnuts' Gualtieri: Hey, Sil. You remember your first blowjob?

Silvio Dante: Oh, yeah.

Paulie 'Walnuts' Gualtieri: How long did it take for the guy to come? :icon_lol::icon_lol::icon_lol:

[Tony disapproves of Meadow's new boyfriend because he is black]

Carmela Soprano: If you want her to be with him, just keep playing the race card. You're gonna drive her right into his arms.

Anthony 'Tony' Soprano Sr.: Not if I cut off those arms.

[Chris and Paulie just botched a hit on a Russian gangster, and are lost in the woods. They call Tony, and get a bad reception]

Anthony 'Tony' Soprano Sr.: Listen to me, this guy was a Russian green beret. He was in the ministry of the interior or something. He single-handedly killed 16 Chechen rebels. Be fucking careful.

Paulie 'Walnuts' Gualtieri: All right.

[hangs up]

Christopher Moltisanti: What did he say?

Paulie 'Walnuts' Gualtieri: He said the guy killed 16 Czechoslovakians, and he was an interior decorator.

Christopher Moltisanti: Interior decorator? His appartment looked like shit.

Ганут сам заиста овим дивним речима, Сопраноси ме увек разнеже максимално...аххх... :smile2: Чекословакианс... :icon_lol:

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Сјетих се гледе оне теме о парфемима, "Кад јагањци утихну":

INT. DR. LECTER'S CORRIDOR - DAY

MOVING SHOT - with Clarice, as her footsteps ECHO. High to

her right, surveillance cameras. On her left, cells. Some

are padded, with narrow observation slits, others are normal,

barred... Shadowy occupants pacing, MUTTERING... Suddenly a

dark figure in the next-to-last cell hurtles towards her,

his face mashing grotesquely against his bars as he hisses.

DARK FIGURE

I c-can sssmell your cunt!

Clarice flinches momentarily, but then walks on.

DR. LECTER'S CELL

is coming slowly INTO VIEW... Behind its barred front wall

is a second barrier of stout nylon net... Sparse, bolted-

down furniture, many softcover books and papers. On the walls,

extraordinarily detailed, skillful drawings, mostly European

cityscapes, in charcoal or crayon.

(...)

DR. LECTER

Now then. What did Miggs say to you?

(she is puzzled)

"Multiple Miggs," in the next cell.

He hissed at you. What did he say?

CLARICE

He said - "I can smell your cunt."

DR. LECTER

I see. I myself cannot. You use Evyan

skin cream, and sometimes you wear

L'Air du Temps, but not today. You

brought your best bag, though, didn't

you?

CLARICE

(beat)

Yes.

DR. LECTER

It's much better than your shoes.

CLARICE

Maybe they'll catch up.

DR. LECTER

I have no doubt of it.

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Bounce (ne znam kako bi se prevelo, mozda Odbijanje, nema veze)

ali dobar film Ben Aflek i Gvinet Paltrou, al sto ona tu glumi :icon_eek:

Look, guys screw up - that's what they do. It's in their manual,

right under "Love your grill; leave socks on floor."

ovo je zanimljivo

It's not brave if you're not scared.

Nije nista hrabro, ako se nisi uplasio...

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Сјетих се Блек Хок Даун, у том филму је цитирана гомила стварних изјава америчких политичара и команданата, не знам чија је ова, али јако ми се допала, као реклама, продаје се оружје војске Јужног Вијетнама: Never fired, droped once :smile2:

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